210 Amlent Avenue (2015) a Full-Length Musical for Voices, Reed, Cello, and Piano | 60 min. |
Book by Becky Goldberg, Music and Lyrics by Karl Hinze
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Cooking for Two (2014) a 10-Minute Musical for Voices and Piano | 12 min. |
Book/Lyrics by Charlie O’Leary
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Death of a Salesman (2014) for Voice and Piano | 5.5 min. |
Lyrics by Ed Levy | |
She’s Gone (2014) for Voice and Piano | 2 min. |
Lyrics by Aaron Ricciardi | |
We’re Going To Be Late (2014) for Voice and Piano | 2 min. |
Lyrics by David Caldwell | |
A Place You Could Call Home (2014) for Voice and Piano | 5 min. |
Lyrics by David Caldwell | |
Pick Your Feet Up (2014) for Voice and Piano | 3 min. |
Lyrics by Jacob Tischler | |
The Notebook Song (2014) for Voice and Piano | 2 min. |
Lyrics by Lynn Spector | |
Stand Up (2013) for Voice and Piano | 3 min. |
Lyrics by Richard Patterson | |
Young Composer’s Lament (2013) for Voice and Piano | 3.5 min. |
Lyrics by Richard Patterson | |
She Stays (2013) for Voice and Piano | 3 min. |
Lyrics by Geoffrey Goldberg | |
Come One, Come All (2013) for Voice and Piano | 2 min. |
Lyrics by Patrick Spencer | |
Three Songs (2013) for Soprano, Flute, Cello, and Piano | 13 min. |
Texts by Thomas Lux from “The Street of Clocks” (2001)
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Are They Edible? (2013) an Experimental Puppet Show by Jeanette Oi-Suk Yew for Voices, Clarinet, Cello, and Piano | 8 min. |
By Jeanette Oi-Suk Yew
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Convergent (2013) for Alto Sax, Flute, and Piano | 8 min. |
Commission: Commissioned by the Aurora Trio. | |
Nimbus (2013) for Piano | 7 min. |
Fantasy/Lullaby (2013) for SATB Chorus and Piano | 4 min. |
Text from Fantasy by Sara Teasdale and Federico García Lorca, On Lullabies | |
Perfect Union (2012) a 10-Minute Musical for Voices and Piano | 5.5 min. |
By Eileen Casterline, directed by Jeanette Oi-Suk Yew
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Night; Glory; Light (2012) for Baritone, Violin, Cello, and Piano | 9 min. |
Text by Roger Coral | |
Happy F*ing Birthday (2011) for Voice and Piano | 2 min. |
The Facebook Song (2011) for Voice and Piano | 2 min. |
Lyrics by Christina Lydy-Mills, dramaturged and performed by Jeremy Black at the Stony Brook Cabaret Collective. | |
In Recovery: American Style (2011) a 10-Minute Musical for Voices, Flute, English Horn, and Piano | 1.5 min. |
By Eileen Casterline
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Brain Candy (2011) for Pierrot Sextet fl, cl, vln, vlc, pno, perc | 9 min. |
Interlude (2011) for Basset Horn and Piano | 6 min. |
Lisa Premiesberger, basset horn, and Anna Starzec, piano | |
Plague Victims Catapulted over Walls into Besieged City (2011) for Soprano, Flute, and Piano | 5 min. |
Texts by Thomas Lux from “The Street of Clocks” (2001) Performed by Raquel Gonzalez (soprano), Daniel James (flute), and Ariel Jacobs (piano) | |
Chemical Plant (2010) for Voice and Piano | 2.5 min. |
A Man’s A Man (2010) for Voices and Piano | 6.5 min. |
By Bertolt Brecht, adapted and directed by Molly Oliver
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My Grandmother’s Love Letters (2010) for Voice and Piano | 4 min. |
Text by Hart Crane Performed by Wonjung Kim, soprano | |
Songs for the End of Things (2010) a Song Cycle for Male Voice and Piano | 7.5 min. |
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Alcestis (2009) a One-Act Musical for Voices and Piano | 18.5 min. |
By Euripides, translated by Richard Lattimore, adapted and directed by Daniel Libatique
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The Amazing Ricardo (2009) for Voice and Piano | 3 min. |
Performed by Kate Lydic | |
Eliza: Lust (2009) for Mezzo-Soprano and Piano | 2 min. |
Text by Sean Stewart Performed by Elizabeth Keusch, soprano | |
Yerma (2008) Three Songs for Voices, Guitar, and Piano for Voices, Guitar, and Piano | 3.5 min. |
By Federico García Lorca, adapted and directed by Karl Hinze
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A Name To Be Sung For All Time (2007) a One-Act Musical for Voices and Piano | 22 min. |
Music and Lyrics by James d’Amico, Daniel Libatique, and Karl Hinze
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I Will Bring You Here (2007) a One-Act Musical for Voices and Piano | 23 min. |
Book, Music, and Lyrics by Karl Hinze
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Funeral (2006) a 20-Minute Musical for Voices and Piano | 14 min. |
Book, Music, and Lyrics by Karl Hinze
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